WALK THE LINE
The Rarest Performance Photography of Country Music Legends Circa 1960s
These amazing ultra-rare Walk the Line era photographs capture the pure energy of Country Music Legends including the Man in Black’s early performances in full color. The Johnny Cash Tour in the 1960s featured Johnny Cash and the Tennessee Three, June Carter, George Jones with George Riddle, Tex Ritter and Flatt and Scruggs among others. Performance photographs of Faron Young, Liz Anderson, Ferlin Husky, Jean Shepard, Martha Carson and Carl and Pearl Butler are also included in this series as they would often appear with Johnny Cash during their careers. These photographs also coincide with the time portrayed in the feature film Walk the Line with Joaquin Phoenix and Reese Witherspoon.
The photographer “Texas Peggy” and her husband John Clemens were early Country & Western entertainers known as The Wyoming Ramblers circa 1939-1950s. Peggy played the accordion and sang along with John who played guitar, banjo and harmonica. They started touring when they were 21 and 23 years old to all 48 US states, drove dirt highways out West in their 1939 Packard, towing a Vagabond Trailer as hotels were not always available.
They played stages and radio shows, met and shared friendships with The Carter Family. Johnny Cash, Patsy Cline, Tex Ritter, Roy Rogers, Gene Autry and many others. Mother Maybelle and Peggy were very good friends. John and Tex Ritter as well. Many of them set the stage for future generations of Country Music artists. One in particular was Red Foley, their lifelong friend who was considered “one of the most versatile and moving performers of all time" and "a giant influence during the formative years of contemporary Country music." by the Country Music Hall of Fame. This was an incredible time in Country Music history!
When John and Peggy came off the road in the 1950s, Cadillacs were king, America was booming at which time they built the Thunderbird Motor Hotel in Latham, New York. There they welcomed their musician and celebrity friends who’s autographed photographs covered the lobby walls. The restaurant in the Thunderbird was called The Silver Spur with a modern Western theme and great cocktail bar. It was very lively and fashionable on the weekends with musical entertainment.
Peggy and John would often be invited to their friends’ shows and would also trade accommodations at the Thunderbird for front row center tickets. Peggy would have full access with camera in hand. This allowed Peggy to get unassumingly close to stage and captured these epic moments in low light with her flash. Johnny Cash doesn’t miss a beat and is free flowing throughout this energetic series of concert photographs.
After the concerts, all would head back to The Thunderbird for a late night cap. Some would call it a night, others would head upstairs to gamble in the room above the lobby. When morning rolled around, Johnny Cash would sit in the hotel’s Silver Spur kitchen while Peggy personally served him up bacon, eggs and toast along with black coffee, while the formal chef prepared breakfast for the others. If only the walls could talk! The Thunderbird was sold in 1968. These are the photographs left from that legacy.
When Peggy and John retired, the stories continued. Hee Haw was a constant in their house and phone calls to their friends were often an hour long just to say hello. If friends weren’t playing a local show, they would drive to New York City and as far as Nashville to visit and attend their concerts. They loved the road, their friendships and experiences. Peggy would hear a song, sing along and tell a story with a big smile and say “don’t you know!” like you had to be there!
Hi I’m Ash Beck
This was the world I grew up in. I met several of my grandparent’s famous Country Music friends. They had a sparkle in their eyes, something inside of them made them great. Peggy and John were very well-known if not famous in their own right. John had a million dollar smile and Peggy was the outgoing personality. They were magnets to each other and to their friends.
I was able to witness my grandparent’s enthusiasm for their friends when they took me to see Willie Nelson in concert. Close to stage, John was clapping his hands while Peggy would get up and dance and yell out “yee haw!” It was a genuine experience as they were genuine people. Since then I have met a long list of great talent, one of which was Glen Campbell, who was my dear friends Muriel and Abe Lipsey’s son-in-law. Glen was incredible in so many ways and very humble. He gave more credit to Jimmy Webb for Wichita Lineman than he did to himself. Our conversations were not long but they were very memorable.
I work in the entertainment industry in Los Angeles in both film and music as a Creative Director in VFX. I met Johnny Cash when he played Pantages Theater in Hollywood in 1995. Beck opened for him. It was an amazing night. After the show, Johnny was holding court back stage. Tom Petty, Sheryl Crow, Rick Rubin, Henry Rollins, Joe Strummer, Frank Black, George Dracuilous and director Mark Romanek were there among others. I handed Johnny the autographed picture he signed to my grandmother and asked him to sign it to me. I mentioned my grandmother “Texas Peggy” and The Thunderbird. Johnny gave me the strangest look as if he remembered a ghost from his past with a strong inquisitive stare. Then Johnny said “I remember old Peg” smiled and signed it. It was a full circle moment to meet Johnny and connect him back to my grandparents. The photograph of Johnny with June arm in arm with my grandfather at The Thunderbird says it all.
Mark Romanek directed Johnny Cash’s Hurt video. Rick Rubin had produced the song for Johnny that was originally written and performed by Trent Reznor from Nine Inch Nails. Mark and I collaborated on many of his famous music videos including Trent’s music videos Closer and Perfect Drug. These videos were masterfully edited by my friend Robert Duffy.
My career continues to be very rewarding with 5 Clio Awards, contributions to 3 Grammy Awards and contributions to 3 music videos inducted into the Museum of Modern Art (MOMA) through the Associations of Independent Commercial Producers (AICP) and 2 MTV VMA nominations.
All of my skills have helped bring this rare collection of photographs back to life from my grandmother. Now they are here for you to see, collect and experience.
If you are outside of the United States and would like to inquire or purchase a photograph, please enter your email and phone number here or click Contact on the top menu. Walk the Line Gallery is located in Los Angeles, CA. Phone +1 (310) 413-7489 Monday - Friday 10am-4pm Saturday 10am-2pm PST
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Copyright ©1964 Margaret Clemens ©2024 Ashley Beck All Right Reserved. These photographs are for personal private use and display only and can not be displayed, distributed or used throughout the Universe in public, on any and all social media both public and private, forums, the Metaverse, or publications without the express written consent from the copyright holder Ashley Beck. These photographs can not be duplicated, reproduced, printed, copied, photographed, scanned, screen grabbed, captured or altered in any way including reference or use in AI. Walk The Line Gallery / Nerve Films Inc.